In the 1970s, Barkley Hendricks solidified his position as a groundbreaking portraitist, focusing on the representation of Black figures with a unique combination of realism and post-modern flair. His work during this period was characterized by life-sized oil paintings that celebrated the individuality, style, and dignity of his subjects. Hendricks' paintings from this era, such as "Icon for My Man Superman" (1969) and "Brilliantly Endowed" (Self Portrait, 1977), not only became iconic pieces in their own right but also inspired other artists, reflecting his significant influence on the art world​ (Wikipedia)​. Hendricks' approach to portraiture was deeply influenced by his background in photography. He often captured his subjects in photographs before painting them, a process that allowed him to infuse his paintings with a photorealistic quality. This method was part of what made his portraits so captivating; they were direct, yet imbued with the stylistic nuances and depth that photography could capture. Hendricks' work from the 1970s radiated a cool vibe, showcasing his subjects in fashionable attire and poses that emphasized their self-awareness and confidence​ (TheCollector)​. Moreover, Hendricks' art from this period often featured monochromatic backgrounds that contrasted with the vibrant personalities of his subjects, further highlighting their presence and individuality. His skillful use of color, detail, and composition allowed him to create portraits that were both visually stunning and deeply expressive. These works celebrated the beauty and complexity of Black identity, steering clear of the political turmoil of the times to instead focus on the personal and cultural dimensions of his subjects' lives​ (TheCollector)​. Notably, Hendricks' portraits from the 1970s were not just personal tributes; they contributed to a broader dialogue about race, identity, and representation in art. By portraying Black men and women with such grace and complexity, Hendricks challenged the prevailing norms of portraiture and offered a new perspective on Black visibility in the art world. His work from this era laid the groundwork for future generations of artists, influencing figures such as Mickalene Thomas, Kehinde Wiley, and Rashid Johnson, among others​ (Artsy)​. Hendricks' commitment to portraying the Black body with dignity and depth was evident in both his male and female subjects, as seen in works like "Sister Lucas" (1975), a tondo that foregrounds a nude Black female in a sea of purple, emphasizing her autonomy and individuality. This focus on the Black figure, devoid of political agenda, underscored Hendricks' vision of art as a space for personal joy and enlightenment, a vision that resonated deeply within the art community and beyond​ (Artsy)​. Throughout the 1970s, Barkley Hendricks' art offered a refreshing and nuanced exploration of Black identity, blending elements of old master techniques, street photography, and the coolness of jazz and soul music. His portraits from this period are celebrated for their innovative approach to depicting Black Americans, marking an important chapter in the history of American portraiture and continuing to inspire artists and viewers alike.